Sunday, December 29, 2019
Essay about Reason and Love in A Midsummer Nightââ¬â¢s Dream
Reason and love in A Midsummer Nightââ¬â¢s Dream Shakespeareââ¬â¢s A Midsummer Nightââ¬â¢s Dream is often read as a dramatization of the incompatibility of ââ¬Å"reason and loveâ⬠(III.i. 127), yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole ââ¬â it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience,â⬠¦show more contentâ⬠¦48) without the ability to look beyond what he sees. The notion of fantasy versus reality is not limited only to the fairies, however; Shakespeare makes his audience aware of supernatural elements in other characters as well by his use of different styles of verse. Furthermore, by comparing the play-within-a-play, and the royalsââ¬â¢ response to it, to the larger narrative, Shakespeare gives further warning against literalising the effects of the play. Metaphor pervades the play and the play should likewise be read as metaphor. There are three distinct levels of action during the play. Firstly, we as the audience see the characters play out the main narratives. Secondly, Shakespeare introduces a play-within-a-play during which the audience observes the mechanicals acting out their tragedy, and thirdly, as part of an epilogue, we are addressed directly by Puck. These differing levels of viewing the play encourages the audience to reflect upon, and compare, the interplay between the levels of address; when the three levels are compared to each other a deeper reading of the play becomes possible, even though the structure is irrational with regards to rational narrative structures. The dramatic conflict is resolved after the fourth act, begging the question of why Shakespeare opted for a play-within-a-play for his final act. The effect of ââ¬Å"Natureâ⬠(V.i. 278) is contrasted between the mainShow MoreRelatedWeathering the Storms of True Love1159 Words à |à 5 Pages Sitting on a porch swing with ones true love hugging and kissing as the moon smiles down upon them, seems like the perfect situation for true love. Unfortunately, nothing could be further from the truth. Shakespeare presents the truth about true love in his comical tragedy A Midsummer Nights Dream. Lysander clearly stated loves situation when he told Hermia the course of true love never did run smooth (Griffiths 94). In some ways Lysanders declaration becomes the plays structuralRead MoreWilliam Shakespeare s A Midsummer Night s Dream1474 Words à |à 6 Pagesincreasing bar of literary works. A reason for this could be the inclination of everyday people to the consistent and underlying concept of romance in each of Shakespeareââ¬â¢s plays and related movies. For instance, one could look at the movies A Midsummer Nightââ¬â¢s Dream and Shakespeare in Love. The latter follows the life of William Shakespeare himself, everything from his love affair with Viola de Lesseps to his cr eation of Romeo and Juliet. 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In ââ¬Å"Midsummer Nightââ¬â¢s dreamâ⬠the play take place in two realms fairy realm and human realm, two of the three main settings. Another one of the settings take placeRead MoreSimilarities Between Hamlet And A Midsummer Nights Dream1324 Words à |à 6 Pagesand A Midsummer Nightââ¬â¢s Dream, is the concept of a play within a play. This concept helps create suspension because both plays critically involve the topic death, but they also shed light unto Shakespeare as a poet because it plays with the idea of meta-theatre. Another similarity between the two plays is that they include a message regarding absurd love. ââ¬Å"Pyramus and Thisbeâ⠬ focuses on two doomed lovers in a comical way, whereas ââ¬Å"The Mousetrapâ⬠in Hamlet doesnââ¬â¢t address the concept of love directlyRead MoreThe Roots Of Fantasy Assignment : A Midsummer Night s Dream911 Words à |à 4 PagesThe Roots of Fantasy Assignment: A Midsummer Nightââ¬â¢s Dream William Shakespeareââ¬â¢s A Midsummer Nightââ¬â¢s Dream was written in the early modern period somewhere between 1595 and 1596. The play showcases elements of the fantasy genre which not only influence the plot and overall world of the play but significantly developed and contributed to the genre itself. Shakespeare contrasts the lawful setting of Athens with the enchanted, magical world of the forest, capturing how the role of imagination andRead MoreA Midsummer Night s Dream1094 Words à |à 5 PagesJeana Jago Theater History J. 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